Where a needle and a mould became a studio
Attaire Street began with two materials that don't usually share a workbench — fabric, soft and forgiving, and resin, slow and exact. One became jewellery you can wear every day. The other became frames that hold a single moment still, in gold and dried flowers, for good.
Every order is treated as one-of-one. We ask about the story behind it — a wedding date, a nickname, a shade of thread that matches an outfit — and build the piece around that detail, not around a catalogue.
What started as a handful of custom requests from friends is now a studio doing the same work at a larger table: still cut by hand, still cast one piece at a time.